We’ll explore what makes this genre of interesting, beautiful, and an important part of the history of graphic design. The famous Fillmore poster designers of the past (Wes Wilson, Victor Moscoco, Rick Griffin, and others) left their mark on the world, creating elaborate designs that could make you feel stoned even if you weren't (but you probably were). By gaining an understanding of the driving forces behind their decisions, we can couple their ideas and techniques with principles of lettering, and apply it to a modern landscape. Rather than simply aping work of the past, we'll be focussed on a recipe that is personal, adaptable, and unmistakably contemporary.
A workshop offered by Type@Cooper West, a collaboration between Letterform Archive and Cooper Union, and held in the Monotype Classroom at Letterform Archive.Learn more or register
After graduating from California College of the Arts, James received a masters from the TypeMedia program at The Royal Academy of Art in The Hague, Netherlands. James lives in San Francisco, and runs OH no Type Company, an independent foundry focussed on display faces and expressive lettering.