Type West is a postgraduate certificate program in type design and the only one of its kind on the West Coast — and now online.
Applications for the 2021 Postgraduate Certificate in Type Design are open October 1–31. We’re launching the application period with a virtual open house for prospective students. Meet Type West instructors and grads, and see highlights from the Archive collection that will be available for remote viewing in next year’s course. All are welcome. DJ Skilla will be on deck spinning type-related tunes.
For the first time ever, the 2021 program will take place online and is open to anyone in the world. So if you’ve ever wanted to learn type design in-depth, but don’t live near a postgrad program, now is the time to check out Type West.
Grendl Löfkvist is the Education Director at the Archive and teaches type history and theory in the Type West program. Outside the Archive, Grendl teaches the history of graphic design, book arts, typography, and letterpress printing at City College of San Francisco, as well as calligraphy at the San Francisco Center for the Book. Grendl has ink in her veins: she was an offset press operator for 20 years; and she serves on the board of directors for the American Printing History Association’s Northern California chapter. Her interests include the study of printing as a subversive “Black Art” and she’s always on the lookout for bizarre or macabre print, type, and lettering lore (she is a bit of a goth).
James is an type designer based in Oakland, California. He studied graphic design at California College of the Arts, and graduated from the Royal Academy of Art TypeMedia program in the Netherlands.
Through his foundry OH no Type Co., he creates custom and retail typefaces. In 2018, James co-founded Future Fonts, a platform for distributing fonts in-progress. James leads the type design classes in the Type West Certificate Program and occasional workshops through Type@Cooper.
Graham Bradley runs Roxaboxen, a California-based design studio specializing in typefaces and brand identities. He has been an instructor at Type West since its inception in 2018 and is a Lead Instructor for 2021. Before founding Roxaboxen, Graham was the first employee at Frere-Jones Type, where he worked with Tobias Frere-Jones on Mallory and Retina. He is a graduate of the Type@Cooper program at The Cooper Union, and a graduate of the University of California, Berkeley.
Lynne Yun is an NYC-based type designer, educator and technologist who specializes in typography, hand lettering, and calligraphy. She currently runs Space Type Continuum, a Brooklyn–based type studio. The studio operates at the intersection of type, design, and technology, specializing in creating experiential letterforms of all kinds, from typeface design to generative typography.
In previous years, Lynne has served on the board of AIGA NY and worked as a full time type designer for Monotype. Her previous endeavors include being on the board of Society of Scribes, attending the School for Poetic Computation, and working as a full-time graphic designer at Apple Inc., Publicis, and Deutsch. Lynne holds a BFA in graphic design from the School of Visual Arts, postgraduate certificate in typeface design from Type@Cooper, and a master's degree from ITP in New York University.
Florence Fu 傅曦瑶 is a writer and researcher. She is currently an MA student at the University of Chicago, where she is researching 20th and 21st century East Asian visual and material culture, and is working as a Graduate Curatorial Intern at The Smart Museum of Art. She holds a BA in Art History and a BS in Journalism from Northwestern University, and is a graduate of Type West’s yearlong type design program. She has contributed to Letterform Archive, Sharp Type Co., AIGA Eye on Design, and Communication Arts.
Kate Long, Letterform Archive’s librarian, has a profound interest in book arts, typography, and concrete poetry, stemming from high school where she made art with abandoned Letraset, and later as the editor of a literary magazine where she enjoyed working with designers, artists, and writers. She also gained an appreciation for 20th-century graphic design while at the award-winning studio, Office. Kate earned her MLIS through Drexel University, which will serve her well as she helps to preserve and catalog the collection. She relishes helping people access the things that interest them.
Rob Saunders, Letterform Archive’s Curator and Publisher, is a designer, teacher, publisher, and management consultant, who has collected graphic design and letterforms for over 40 years. Rob began his career teaching at The School of the Museum of Fine Arts Boston and Tufts University, while serving freelance clients and agencies, before founding a book publishing enterprise that included Alphabet Press (graphic design), Picture Book Studio (children’s books), and Rabbit Ears Books (book/audio packages), which was eventually acquired by Simon & Schuster. Prior to founding Letterform Archive he served as a creative and marketing consultant with clients in the hospitality, technology, and financial industries.
Stephen “Stewf” Coles, Letterform Archive’s Associate Curator & Editorial Director, joined the staff after serving on our Board of Directors since its inception. Born in Salt Lake City, he moved to San Francisco in 2004 to serve as FontShop’s creative director. He later worked as an independent consultant, connecting font makers with font users, and wrote the book The Anatomy of Type. With his background in design and journalism, combined with an obsession for type history, Stephen is responsible for the online face and voice of the Archive, and helps to shape the future of the collection. He continues to publish the influential websites Typographica and Fonts In Use.
Priscilla (Skilla) Zaccalini, Letterform Archive’s Executive Assistant, has a long history of bringing people together and getting things done. Ever since she was a kid watching her father paint and write, she’s relished the opportunity to generate art and poetry in unexpected places. For 25 years, those places included law firms, where she enriched community, education, and diversity through creative and literary projects. Now she’s helping the Archive run smoother and happier. A previous boss once teased her, “You’re always coming up with ideas.” That’s exactly what we love about her.