News / Behind the Scenes

The story of graphic design is traditionally written by award winners, major brands, and big names. Their work is heralded in trade journals and design annuals, established as canon in college text books, and archived in museums and special collections. Meanwhile, the wider world of design — which can have as much impact on its audience — goes unrecorded. This includes objects that are widely seen but under-appreciated, or hyper-local and lesser-known, but no less remarkable. And that work is often designed by underrepresented or marginalized people.

We just approved printer’s proofs for the second issue of The Occasional. Didn’t get the first edition in 2019? Consider it an annual report, only much less annual, and much more interesting.

Letterform Archive is home to all who love great design. The Archive is also home to all of us who love letters, art, and books, and nowhere is that more apparent and alive than in our publishing program. I joined the Archive’s team as Revenue Director last June. Since then, it’s been a pleasure for me to learn not just about our immense collection, but about the exquisite books we publish. As a lay person new to the world of publishing, I’ve learned so much from our knowledgeable and talented Letterform Archive Books team, led by Lucie Parker.

Letterform Archive is a living archive, a perpetual project to not only preserve historic design, but also inspire new work. To mark our 10th anniversary we teamed up with COLLINS to create 100 Tens: 50 interpretations of the number 1 from the Archive’s collection, paired with 50 contributions from some of the most innovative designers working today.