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Three volumes of rare specimen facsimiles lift the curtain on twentieth-century type, gathering essential documents of trendsetting faces as they were first meant to be seen.
Our new exhibition space not only brought us Good Luck, but also a fantastic set of zodiac posters by a three-headed monster.
The big wall in Letterform Archive’s reading room now serves as a display case for small, short-run exhibitions. Our first pop-up opened in January to celebrate Lunar New Year. Curated by members of the Archive exhibition team, Jen Dao (姚逸雯) and Sherry Chou (徐雪俐), Good Luck explores the rich cultural heritage and modern interpretations of the holiday through a blend of custom red envelopes, holiday ephemera, and celebration event posters.
Among the contemporary pieces in Good Luck are four large screen prints featuring complex, stylized animals intertwined with letterforms. The posters come from the hive mind of Omnivore, a graphic design studio formed by “second-generation Asian-Americans, working mothers, design educators, small business owners, food lovers, justice seekers, and friends.” Alice Chung (Brooklyn), Karen Hsu (Portland, Oregon); and Julie Cho (Los Angeles) have been collaborating since 2002 and often think of themselves as a three-headed monster. Their firm is M/WBE (Minority- & Woman-owned) certified.
Designer and educator Angie Wang deciphers a collection of over 500 sleeves recently donated to the Archive.
The chopstick sleeve originated in the Imperial Court of Japan sometime during the Heian period (8th–12th century). Ladies-in-waiting are thought to have wrapped chopsticks in scraps of silk or other fine fabrics as it was considered impolite to pass unwrapped objects from one hand to another. Hundreds of years later, hashibukuro (“chopstick envelopes”) graced the banquet tables of shoguns, and by the Edo period (17th–19th century), establishments in the Yoshiwara red light district furnished hashibukuro to their regulars.
This year, Letterform Archive hosted 24 presentations on typography and graphic design. You can still watch them all.
We presented two dozen lectures and salons in 2024, both online and onsite at the Archive. Unless you’re our biggest fans (thank you!), you likely didn’t get to catch them all. So, here are a few videos that are worth some of your holiday downtime, from insightful looks at design history to new approaches that will exercise your typographic eye.
Got a discerning designer on your shopping list? We asked our team for their favorite gift ideas from the Archive.
This holiday season, Letterform Archive staff members bring you their favorite gift ideas from our shop. From letterpress postcards printed by hand to colorful design books and cozy, type-forward blankets, we’ve got unique ideas for every type and design lover on your list.
Every purchase you make helps support the Archive’s education, exhibition, and preservation programs. Dive into our favorites and find something for everyone you love.
Letterform Archive wraps up a banner year in publishing. Here’s the latest on our final releases of 2024 — plus a limited-time deal for members.
At Letterform Archive Books, the team has the honor and the privilege of crafting books that tell the story of our collection. This year, we have been delighted to deliver up a dozen beautiful titles — ranging from an entertaining and visually splendid autobiography by lettering artist Michael Doret to a dynamic facsimile edition of Piet Zwart’s famed 1928 catalog for a Dutch cable company to Letter Love, a pleasing sampler of letterforms presented in a pint-sized postcard booklet.
The new facsimile from Letterform Archive Books brings a Dutch design classic into the present.
