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Abram Games: Posters for the Public Good

While design is never a panacea for the world’s ills, the work of British designer Abram Games has particular poignance as we face new threats, uncertainty, and disinformation.

Poster for British War Office (detail), 1941.
Poster for British War Office, 1941. Image: Wellcome Collection.

Last year we were honored to host a Live at the Archive event with Abram’s daughter, Naomi Games. There’s no better time than now to present a recording of her talk, which focuses on the designer’s unique ability to promote health and safety, raise awareness, and unite people under a common cause.

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New in the Online Archive: Giovanni Pintori for Olivetti

In the 1950s, Pintori revisualized the typewriter, transforming it from esoteric machine to a charming companion of modern office life.

Detail of Olivetti 82 Diaspron pamphlet, 1960s.

See all this work at our hi-fi web resolution in the Online Archive.

The lifeless, rectangular slabs of metal we type on these days were preceded by tools with personality. Sculptural, colorful, and often weighty, typewriters were transformative machines that shaped modern industry and communication in the 20th century. The Italian brand Olivetti, founded in 1908, was among the many key players in the market and was unique in the way they saw approachable design as core to their identity. Part of Olivetti’s success is owed to Giovanni Pintori, who was the company’s art director from 1950 to 1967. Pintori’s color palettes, shapely abstraction, and smart use of the grid conveyed both the mechanic power of an Olivetti device and the joyful ease one should feel when using it.

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Preparing to Move the Archive

A good friend will help you move some books, but a true friend will help you move 60,000.

Hey, can we borrow your truck?

Earlier this week, special guest Amos Kennedy Jr. visited the Archive while we were examining our largest books to prep for the move.

We’re so excited to move into our new home, because once we’re all settled in, we’ll be able to better serve our community — you! When most people think about moving, cardboard boxes and packing tape dance in their heads. But to move an archive, we’ll need more than bubble wrap, Sharpies, and trash bags.

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Processing Paul Rand

In the first of our new series of volunteer journals, Bethany Qualls recounts her experience sorting and listing the Paul Rand collection and how it changed the way she sees design.

Paul Rand’s Westinghouse logo on the escalator landing at a Bay Area Rapid Transit station. Photo: Bethany Qualls.
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Coming Soon to the Online Archive: Tables

For every Letterform Archive tour we set a table — a visual feast of objects that respond to the interests of each guest. Soon, you can get a taste of this experience from anywhere.

Photo of Letterform Archive reading room.
This table is set for “1960s–70s Independent Publishing”, a section of last year’s California College of the Arts MFA course on the history of typography.
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