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Author: Stephen Coles

This Just In: Amos Kennedy Jr.

We’re honored to share the wit and wisdom of the humble but powerful provocateur. Dozens of his prints are now at the Archive.

Left to Right: Someone Died for Your Right to Vote...; Power Concedes Nothing Without a Demand...; Everyday I Dream of Black Freedom and Pride
Left to Right: Someone Died for Your Right to Vote…; Power Concedes Nothing Without a Demand…; Fresh Food for the People.
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Introducing Type West at Letterform Archive

We’re thrilled to announce our new postgraduate certificate in typeface design.

Type West at Letterform Archive logo
After two successful years of Type@Cooper West, in partnership with the Continuing Education Department of The Cooper Union in New York, Letterform Archive is launching Type West, a new, independent program taught by innovators in the craft and supported by the Archive’s world-class collection of type and graphic design.
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This Just In: Posters of May ’68

We commemorate the 50th anniversary of the Paris uprising with a collection of posters by the Atelier Populaire (Popular Workshop).

Lutte Contre Le Cancer Gaulliste (Struggle Against the Gaullist Cancer)
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This Just In: The Nuremberg Chronicle

Now at Letterform Archive, a landmark of 15th-century bookmaking.

We are thrilled to announce the acquisition of our first complete incunable (book printed before 1501). The Nuremberg Chronicle is one of the most densely illustrated and technically advanced incunables, and helps us tell the story of letterforms in the early years of printing.

Index half-title page, Nuremberg Chronicle. The calligraphic woodcut opening this German edition reads “REgister Des buchs der Croniken…” (Index of the book of Chronicles and stories with figures and images from the dawn of the world until this our time.). Note the ligatures with shared stems (‘de’) and marks that distinguish ‘u’ from ‘n’ (“pildnus-sen”) and indicate a double ‘n’ (“unnsere”).
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Thank you, Camille

For most of Letterform Archive’s existence, one woman has been behind our camera, capturing and sharing the collection for publications, research requests, and social media.

Camille Brown with one of her favorite parts of the collection, 1975 issues of Typographische Monatsblätter, with covers by Heinrich Fleischhacker.

Camille Brown joined the Archive in May 2016 as an intern, and soon took a place on staff as Photographer. Her deft shooting and post-processing skills made large and demanding projects – like the Dwiggins book – possible. And her keen and curious eye set the standard for our social feeds, attracting tens of thousands followers on Facebook, Twitter, and especially Instagram. Now we bid Camille a tearful farewell as she leaves us for her next life chapter in New York.

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