
Letterform Archive
Type by Bernhard, Excoffon, Novarese: Collected Specimen Booklets (Bundle)
$150.00
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Letterform Archive’s collection of ephemera aims to outlast its impermanent nature and provide endless design inspiration.
What do chopstick sleeves, movie programs, luggage labels, and counterculture newspapers have in common? Aside from the fact that they are all found at Letterform Archive, these pieces of design are connected by their relationship to transience. Though they may have vastly different visual styles and origin stories, they are all considered ephemera: objects meant to exist or be used only for a short time.
Ephemera can be used for everything from advertising—think pocket calendars and pen blotters emblazoned with company logos—to organizing—think concert flyers and protest posters. Others still are made for personal use, like Victorian calling cards. Perhaps because they are so short-lived, ephemera can allow for more experimentation in concept and production. They can be modes of communication within niche communities, like the graffiti zines of the 1990s. Or they can simply weave a bit of colorful whimsy into the day-to-day, as Milwaukee did with their trolley passes. Some ephemera are scrappy, made quickly by anonymous creators using cheap materials and easily accessible printing, while some are carefully designed by industry greats like W. A. Dwiggins and Piet Zwart. Whatever the case may be, ephemera play an essential role in shaping the visual culture of their particular place and time.
Letterform Archive was founded to give designers access to objects that are often overlooked or lost to the dumpster. While some ephemera are meant to be collectible, most are not made to last: they are simply the paper collateral of daily life. We are especially indebted to independent ephemera enthusiasts who have entrusted us with donations of their personal collections. Because ephemera are so ubiquitous, their degree of influence and worthiness of study may not always receive proper recognition. At the Archive, these everyday objects rightfully live alongside rare books and are treated with equal reverence.
The definitions of ephemera are flexible enough to encompass a very broad range of items. Here’s an incomplete list of what could be included:
Header image: Milwaukee Transit Tickets, ca. 1930-1960’s.
Check out our guides to artist books, fonts and typefaces, and calligraphy and lettering. Stay tuned for pages on other topics: sign up to our mailing list to get notified.
Our lectures, salons, and workshops provide deep dives hosted by skilled practitioners and researchers. Reserve your spot online or catch up with recordings of past events.
The easiest way to learn more about ephemera is to become a Letterform Archive member. Join our worldwide community, attend exclusive meetups, and get member discounts.
Our website shows only the small fraction of our collection that has been digitized, but there’s always more to see in person.
At Letterform Archive, everyday objects are shelved alongside one-of-a-kind books, and both are given equal importance as sources of design inspiration.
Richard Sheaff’s massive trove of turn-of-the-century ephemera offers colorful examples from an exciting period innovation in letterform and printing. We’re still processing this major collection, but you can get a preview in the blog.
These demonstration labels from the 1920s–’30s are delicately hand painted at actual size. With our high-fidelity images, you can see every brushstroke!
Chopstick sleeves are the perfect example of omnipresent design, and an oft-overlooked visual aspect of the dining experience. Angie Wang connects a recent donation of sleeves to their significance in Japanese culture.
Each weekly pass in our vibrant collection of Milwaukee trolley tickets has a unique hand-lettered design and color scheme. These are an Archive favorite, and proof that even ordinary items should be beautiful!
A collection of flyers promoting Bay Area punk shows of the 1970s and ’80s exemplifies the edgy and raw visual language of a scene that was viscerally anti-establishment.
Colorful luggage labels of varied shapes, scripts, and styles came from all around the world to find their home at the Archive. See a few highlights in the Online Archive.
The Archive’s collection of metal type foundry specimens is one of the largest in the world. Trawl through twentieth-century design history via the beautifully produced booklets that advertised each new font as it entered the market.
Promotional ephemera from a pre-Internet era shows the remarkable design techniques used to draw viewers to the movie theater. Each hand-drawn film title provides inspiration for today’s lettering artists.
Artist duo Franticham travels the world and creates experimental books inspired by—and sometimes printed on—ephemera gathered in each locale.
The Black Panther Party’s weekly newspaper remains a timeless example of the political power of design. We interview Emory Douglas, designer of the publication’s striking visual identity and back-page posters.
The reporting in these periodicals may be long out of date, but our collection of counterculture newspapers provides an endless source of DIY design inspiration.
Though a calendar is no longer useful by the end of the year, these inventive ephemera are examples of original design with no expiration date.
The dynamic design of India’s multilingual movie posters tells the story of the country’s many scripts and cinematic communities. Tanya George takes us behind the scenes of each poster in the collection.
Posters produced by the Atelier Populaire to support the Paris Uprising were made to be in the streets, and were not often saved. We’re lucky to house a collection of these posters that exemplify the polemic potential of design.
Revisit Good Luck, our recent pop-up exhibition of calendars and other Lunar New Year ephemera, with Omnivore’s featured posters from the show.
Event posters are ephemera, too! Our collection of work from contemporary studios in Seoul showcases striking designs meant to last long after their initial purpose.
Signs — whether painted or printed — are also an ephemeral art. As urban landscapes change with time, so too do the markers who help people find their way. This article introduces a range of reference books on the topic of signage.
Get a glimpse into the insular community of graffiti writers and their impermanent art through our collection of indie graffiti magazines.
The oldest object in our collection is a cuneiform tablet. Chris Westcott digs into the meaning of a precious-seeming object to find a record of some pretty mundane business. Ephemera or not? You decide.
The Online Archive is a great way to get a closer look at our extensive collection of ephemera. We made this Table with some of our favorites to help you get started. For a more guided experience, schedule an in-person or online tour with one of our docents.
Follow us on Bluesky or Instagram for a first look at our favorite ephemera that hasn’t yet made it into the Online Archive. Here are some of our favorite highlight reels.
Letterform Archive
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Piet Zwart, Philip B. Meggs (Contributor), Paul Stirton (Contributor)
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Letterform Archive
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Jack Stauffacher
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Letterform Archive
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Letterform Archive
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Letterform Archive
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Letterform Archive
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