Author: Letterform Archive

We love to hear how the Online Archive is enhancing design courses around the world. Teachers are using the Tables feature to create and share design artifacts and inspiration with their students, or present curated sets as slideshows in class. During the pandemic, when we weren’t able to welcome students to the Archive, the staff created our own tables* to help navigate type history and highlight works in the collection that exemplify major movements. Now we’re sharing a few of these tables with you!

Our next exhibition celebrates a combination seldom seen on museum walls. Featuring Greg Lamarche’s archives and Letterform Archive’s collection of graffiti magazines, Subscription to Mischief explores 1990s graffiti zines with a special focus on the making of Skills. It highlights original works by prominent and lesser-known writers of the ’90s through the pieces, throwups, and handstyles featured in letters, flick trade photos, and magazine submissions. Taking a close look at practitioners as documentarians, and how magazines served as launch pads for creative careers, Subscription to Mischief is a time capsule of graffiti letterforms and a tribute to the community formed through snail mail.

BIPOC designers are still underrepresented and undervalued in every part of the field. Dr. Dori Tunstall offers six ways to turn the tide.

Last summer, amid a long overdue racial reckoning in the United States, we republished a landmark 1968 article by Dorothy Jackson on “The Black Experience Graphic Design”, and asked 16 current design leaders to compare it to their own experience. Their stories spanned the gamut from exhaustion to hope. They shed light on the progress and stagnation of the design world, both academic and professional, and offered advice to organizations and individuals within and outside the BIPOC community. One thing we heard over and over again in their responses was the name Dr. Dori Tunstall.

Dr. Elizabeth (Dori) Tunstall is a design anthropologist, researcher, and educator. She is the first Black dean of a faculty of design anywhere in the world, a position she has held at Ontario College of Art and Design University (OCAD U) in Toronto since 2016. From the moment she took the role she led a transformation of OCAD U’s equity practices that have become a model for many other organizations. In our interview she lays out six ideas from her own experience that other institutions can put into practice if they are serious about equity and liberation for BIPOC designers.

Like many of you sheltering at home, our team is seeing a lot of each other within the now-familiar grid of video chat rectangles. We love getting a peek at everyone’s home office, but we also miss being surrounded by the Archive and its countless bits of inspiration and delight.

So, as an addition to our Cabin F(or)ever kit, we’re pleased to bring you our first batch of background images selected from objects in the Online Archive, each carefully cropped and edited for Zoom. Now you can use our periodical wall to visualize your ideal home library, wallpaper your room with Paul Rand, furnish your apartment with type from Caslon’s 1844 specimen, live inside an issue of Emigre, or do “some blue sky thinking” with Martin Venezky.

Just over fifty years ago, at the apex of the civil rights movement in the US, Dorothy Jackson interviewed five Black designers about “the frustrations and opportunities in a field where ‘flesh-colored’ means pink”. The article for Print was perhaps the first in the mainstream trade press to directly address the impacts of racism in the profession and describe the experience of Black practitioners in their own words. What has changed since then? What remains the same? We asked today’s design leaders to compare their experience to the 1968 discussion and imagine what’s next.

The second installment of Letterform Archive’s survey of avant-garde periodicals recognizes an auspicious occasion. This month marks the 100-year anniversary of the founding of the Bauhaus, one of the most significant and influential institutions in 20th-century design history.