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This Just In: Diamond Wooden Type Works

An untitled catalog and some tiny wood blocks from India invite us to rewrite type history.

Cropped image from Diamond Wooden Type Works catalog, ca. 1975, showing red Devanagari letters on a cream page.

In the North Indian city of Meerut, not far from the national capital of New Delhi, there was once a thriving wood type manufacturing scene. The industry there continued to operate much later than in other parts of the world, churning out letter blocks until the turn of the millennium, and contributing significantly to letterpress printing in the region and beyond.

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Women in Graphic Design

We’re dedicated to preserving and celebrating typographic design from underrepresented groups, including women.

Like nearly every professional field, women have been systematically omitted from graphic design history. Fortunately, many recent efforts, such as Alphabettes, Hall of Femmes, and the People’s Graphic Design Archive are pushing to rectify the situation. We’re doing our part by collecting and sharing the work of women, both past and living. Here are some highlights.

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For Your Reference: Threading Letters

From embroidery to weaving, there is a long history incorporating letterforms into fabric. In this visit to the Archive’s stacks, we’re pulling multiple threads on items that tie text to textiles.

Cover for Alphabet de la Brodeuse.

The word “text” originated from the Latin word “textus,” which means “a weaving” or “a fabric.” In ancient times, textus referred specifically to the process of weaving fabric. Over time, the meaning of the word expanded to include written or printed material, reflecting the idea of words being woven together to create a coherent written work. This metaphorical extension continues today with words and phrases such as seamless, threadbare, unraveled, looming, frayed, tangled, and spinning a yarn, highlighting the connection between the physical act of weaving fabric and the intellectual act of composing written language, both of which involve the interlacing of individual elements to create a unified whole. In this installment of For Your Reference, we revisit the Archive’s stacks for books and other items that build a tangible connection between threads and letterforms.

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This Just In: The Darden Type Design Archive

Hundreds of annotated font proofs from Joshua Darden document and illuminate the process of making typefaces.

Joshua Darden at ATypI in Prague, 2004. Photo: Jean François Porchez.

Joshua Darden, born 1979 in Los Angeles, California, published his first typeface in 1995 at the age of 15, becoming the first known African-American typeface designer. For the next ten years he honed his skills as an independent type foundry, and then as a staff designer at the renowned Hoefler Type Foundry under the direction of Jonathan Hoefler and Tobias Frere-Jones. He struck out on his own again in 2005, opening a new foundry, Darden Studio, and releasing his most ambitious and recognized design, Freight.

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Calendar Design in the Online Archive

A variety of planners, event guides, and type specimens offer over a dozen ways to represent the year through lettering and typography.

We’re starting 2024 with a selection of objects in the Online Archive that chart Gregorian timekeeping across the twentieth century. This compilation includes traditional calendars, fonts crafted explicitly for typesetting calendars, branded promotional calendars, and material that reveals the process of making a very unusual calendar. We hope these ideas inspire you throughout the year.

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Now Online: Lettering and Type Talks from 2023 and Beyond

Our video collections let you catch up on every Letterform Lecture, and — for the first time — all Salon Series recordings back to 2019.

In 2023 Letterform Archive hosted dozens of online and onsite events exploring typographic history and contemporary design, and covering a wide range of writing systems and locales, from Arabic to Cherokee, Buenos Aires to Vienna.

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Now Online: Artists’ Books, Broadsides, Calligraphy, Ephemera, and Type Specimens

We just added over 500 objects and nearly 6,000 images to our Online Archive, the largest expansion since the site launched.

Collections Assistant Eve Scarborough and Digitization Librarian April Harper prepare a book for photography.

Letterform Archive strives for radical access to our collection of lettering, typography, and graphic design. That ethos demands that we digitally preserve as much material as we can and make it available to our international community. To that end, we’re continually expanding the Online Archive, a free repository of visual inspiration. The latest batch of additions is the largest since the site launched, and includes work by Jack Stauffacher, Amos Kennedy Jr., Camp Books, Hunter Saxony III, hundreds of typeface specimens, the first taste of the Sheaff Ephemera Collection, and much more.

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